You’re by yourself-what can you create? I’ve always been creating single-line drawings. Like, you’re locked in a room and have nothing. I could replicate his work, but I realized that I couldn’t reference his work without completely copying him.Īnd my goal was to be able to create without looking at anything. I discovered him late in college, when I had come back from playing soccer professionally and started taking art history more seriously. The first artist that I was inspired by was Jean-Michel Basquiat. Which artists in the canon of art history have most influenced your own practice? But when you peeled back the layers of the person, or the painting, it revealed how lonely I felt. Color became this initial facade, representing the first layer when you meet somebody. I created it because I was so lonely, in a little apartment on the Lower East Side. My first large canvas, which was 4 by 5 feet, was very daunting for me.
When I stepped away from the black being utilized as a way to contain color, it felt like stepping into a new chapter of life. Then I introduced color, but I still used black and white outlines. It was clear to me there’s a formula to it. When I started, I only worked in black and white. It’s a conversation I have with the canvas it’s my own language.
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After I start a piece, I like to let the colors tell me which way to go, and how to populate the piece with different feelings. What role does color play in your artistic process? How do you select colors for each work? Available for immediate purchase in Buy Now: Demit Omphroy.
Until I have that moment, I don’t know if I’m done with a piece yet.ĭemit Omphroy, Birth Day (2022). With every single piece I do, no matter how big or small, there’s usually a big hurdle I have to get through, or a decision to make. If I’m super blocked, it usually means I am either not getting enough rest, not exercising enough, or I’m not writing. I try to pair that with a little bit of exercise. I try to start my days with writing just getting thoughts out and emptying the spam folder in my head. When I feel the most stuck, I usually have something in my head that needs to be dealt with. Once an art teacher told me: “Don’t make art that sucks, because it will exist in the world.” At first I thought that was a little harsh! But I realized it was a reminder that stressed the importance of being intentional with the work that I create. There are moments where I want to complete projects just to be done with them. I think we can all relate to the feeling of not being inspired. What do you do when you’re struggling to connect with a piece? How do you clear your mind and become unstuck? It starts with a very raw process of graphite on paper, and I let it grow from there. I always try to stay true to the purest form of when I started creating, which was with my hands. I make work that’s rooted in me, and moments of love or pain, or experiences that I have gone through. I have a tough time creating work if I don’t have a connection to it. Available for immediate purchase in Buy Now: Demit Omphroy.Ĭan you tell us more about your creative process? How does a painting go from an idea to a finished product? I always had this idea that painting for a living wasn’t really possible.īut, when I led with creativity and stopped worrying so much about the money or whether I could make a career of it, I realized that painting is what I wanted to do, and I began focusing on the art of expression.ĭemit Omphroy, Picnic (2022). But she came from a very traditional, Filipino immigrant perspective that you can’t make money as an artist. My mom is a painter, and she’s incredible. But I would say that I always wanted to be a full-time painter. I realized that I truly needed to paint full-time midway through the pandemic. When did you realize it was something you wanted to do full-time? You’ve cited painting as a constant passion across the different stages of your life. While there are differences in medium, whether I’m expressing myself on a soccer field or painting on a canvas, I attack with a similar vigor. When I compare art and soccer, I take the things I learned growing up as a dedicated athlete into how I practice as an artist. There are a lot of talented soccer players, but what differentiates the ones that go on to become successful is their work ethic. Whether it’s soccer or writing, talent is a baseline-then it’s all about work ethic.
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When you become a professional in something, you dedicate your life to that craft. How, if at all, has your career as an athlete influenced your artistic practice? You’ve had a unique trajectory, from professional soccer player to full-time artist.
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